Chris has a unparalled worldwide reputation in multi-camera arrays. DSLR Remote Pro Multi-Camera has been used in block buster movies, the video games industry and high profile activations for more than 10 years. Learn from the man himself:
What you can do with a camera array
Five, fifteen or ninety five cameras?
Choosing equipment and triggering the cameras
Time it right – syncing with flash
How to create animated GIFs and MP4 movies from your images
Wednesday 2:45pm – Open Session
On the final afternoon Chris will run an Open Session covering topics raised by delegates at PBPI. Likely subjects include
Panoramic photo booth photos
Sharing for camera arrays
Automation and startup scripts
Find us at the Breeze table in Tech Alley & around the Academy.
The content of sessions may vary to meet the needs of those attending.
PS Just heard from Lisa that there is still time to join in – Enroll here!
This release adds support for the Canon EOS 6D Mark II and includes a number of enhancements to the Multi-Camera Animator:
Save the current calibration settings with each set of downloaded photos. This makes it much easier to regenerate GIF or MP4 files after an event using the calibration settings that were used when the photos were taken.
Integrate multi-camera array shooting into a workflow e.g. post processing photos using Adobe After Effects or copying files to a viewing or sharing station. An optional command can be run on the calibration settings file that is saved after each set of photos has been processed.
Shoot in portrait orientation. The auto alignment tool now supports cameras in portrait or landscape orientation.
Raw+JPEG support for the Multi-Camera Animator. JPEG images are used to create animated GIFs/MP4s. The raw files can be used for high quality post-processing after an event.
This release is a free upgrade for all registered users who purchased DSLR Remote Pro Multi-Camera after 11th December 2016. Customers with older licenses need to buy an upgrade license to use this release.
This maintenance release fixes a problem with using droplets in photo booth mode that affected v3.8. The HideWindowsTaskbar utility, which helps to hide Photoshop windows when running droplets, has been updated to work with the latest version of Photoshop.
This release is a free upgrade for all registered users who purchased DSLR Remote Pro after 11th December 2016. Customers with older licenses need to buy an upgrade license to use this release.
Thanks to all who came to the stand and listened to Chris’s presentation at the first UK Photo Booth Show. We had an amazing time catching up with old friends and making new ones.
The Breeze stand focused on three industry trends: animated GIFs, 3D activations, and magic mirrors.
DSLR Remote Pro appeared in multiple guises on several stands. It was beautifully complemented by a Wilkes booth and ran the magic mirrors on our own stand and at I Love Photobooth; partnered with Breeze Kiosk at Everybooth; and powered green screen software at Incredible Booth.
Andrew Bliesner’s professionalism, knowledge of our software and willingness to share his experience and tips with visitors was fantastic. The screen and GIF designs were adapted from Breeze Themes at Wilkes Photobooth ‘The Lab’. Thanks Andrew and Steve!
Activations creating 3D GIFs are are increasingly popular; and Breeze software is trusted by many industry leading operators to provide ‘bullet time’ animated GIFs.
Thanks to Matt at Noonah for lending us the multi-camera rig in this video. You can buy your own multi-camera system powered by DSLR Remote Pro Multi-Camera from Noonah.
I Love Photobooths kindly lent us the magic mirror running DSLR Remote Pro to show on the stand. Purchase the complete magic mirror from I Love Photobooths (their Green Screen Dream Machine and Hashtag Printers also run Breeze software).
Missed Chris’s talk on light painting? Much of the content is covered here
Interested in multi-camera activations? Download a copy of DSLR Remote Pro Multi-Camera and try it for yourself. Chris will also be giving a presentations about multi-camera systems at PBPI in January and PBX 2018 in March.
A big thank you to Jon Sharp for organising the show.
When we first showed light painting in a bright exhibition hall at Photo Booth Expo 2016, the industry was amazed. This post explains how to use light painting at indoor venues with an open or closed booth using DSLR Remote Pro.
Photo booth software that lets you control the camera settings
Camera: we recommend using a Canon DSLR camera. Webcams and iPads are not suitable because you need complete control over the exposure and settings (including aperture). This is not possible with a webcam or an IPad.
Flash: You need a powerful flash to freeze the subject at the start of the exposure. We like to position the flash high up so that people are less likely to look directly at it and be dazzled by the light. The flash also acts as a cue to the guests to start light painting. Ask them to pose until the flash fires and then start moving the lights.
Black backdrop: the light trails show up best against a black background. If you have a light background you may get ghosting (dark shadows) when guests move around.
Lighting props: guests’ phones, colored torches, LED batons or more elaborate props such as pixel sticks.
How do I use DSLR Remote Pro to control the camera to create the light trails?
Use external flash mode
Set a slow shutter speed
Use a small aperture and low ISO to cut out ambient lighting
External flash mode: Run the photo booth setup wizard; select <Advanced Settings> and check the box to set external flash mode. If you also check ‘Mirror output images’ the words guests write with the lights will be reversed to read correctly:
Shutter speed: You need an exposure of at least 1 second to create the light trails. We find between 2 and 3 seconds is best. (Guests start to run out of ideas with exposures longer than 3 seconds).
In the <Advanced Settings> screen select camera settings mode Bank 1, then click on the <Camera Settings> button to the right. This takes you to the camera settings screen. You need to adjust the Bank 1 settings for both taking photos and live view.
Camera settings: Start with exposure (Tv) set to 2″ (2 seconds), aperture (Av) 22, ISO 100 and white balance ‘flash’.
Live view: Select Tv: bulb for a bright live view image and White balance: Auto (ambience) for reliable colors.
In a brightly lit venue you may need to reduce the length of the exposure or use a screen to dim the ambient light.